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company of cadets the Lieutenant took about to military tournaments. The Pershing Rifles, they were called,
and they won prizes wherever they went. After his graduation, Scott settled down to running a hardware
business in a thriving Nebraska town, and sold gas ranges and garden hose for twenty years. About the time
Pershing was sent to the Mexican border, Scott began to think there might eventually be something in the
wind, and that he would better get into training. He went down to Texas with the National Guard. He had
come to France with the First Division, and had won his promotions by solid, soldierly qualities.
"I see you're an officer short, Captain Maxey," the Colonel remarked at their conference. "I think I've got a
man here to take his place. Lieutenant Gerhardt is a New York man, came over in the band and got transferred
to infantry. He has lately been given a commission for good service. He's had some experience and is a
One of Ours 138
capable fellow." The Colonel sent his orderly out to bring in a young man whom he introduced to the officers
as Lieutenant David Gerhardt.
Claude had been ashamed of Tod Fanning, who was always showing himself a sap-head, and who would
never have got a commission if his uncle hadn't been a Congressman. But the moment he met Lieutenant
Gerhardt's eye, something like jealousy flamed up in him. He felt in a flash that he suffered by comparison
with the new officer; that he must be on his guard and must not let himself be patronized.
As they were leaving the Colonel's office together, Gerhardt asked him whether he had got his billet. Claude
replied that after the men were in their quarters, he would look out for something for himself.
The young man smiled. "I'm afraid you may have difficulty. The people about here have been overworked,
keeping soldiers, and they are not willing as they once were. I'm with a nice old couple over in the village. I'm
almost sure I can get you in there. If you'll come along, we'll speak to them, before some one else is put off on
them."
Claude didn't want to go, didn't want to accept favours,--nevertheless he went. They walked together along a
dusty road that ran between half-ripe wheat fields, bordered with poplar trees. The wild morning-glories and
Queen Anne's lace that grew by the road-side were still shining with dew. A fresh breeze stirred the bearded
grain, parting it in furrows and fanning out streaks of crimson poppies. The new officer was not intrusive,
certainly. He walked along, whistling softly to himself, seeming quite lost in the freshness of the morning, or
in his own thoughts. There had been nothing patronizing in his manner so far, and Claude began to wonder
why he felt ill at ease with him. Perhaps it was because he did not look like the rest of them. Though he was
young, he did not look boyish. He seemed experienced; a finished product, rather than something on the way.
He was handsome, and his face, like his manner and his walk, had something distinguished about it. A broad
white forehead under reddish brown hair, hazel eyes with no uncertainty in their look, an aquiline nose, finely
cut,--a sensitive, scornful mouth, which somehow did not detract from the kindly, though slightly reserved,
expression of his face.
Lieutenant Gerhardt must have been in this neighbourhood for some time; he seemed to know the people. On
the road they passed several villagers; a rough looking girl taking a cow out to graze, an old man with a basket
on his arm, the postman on his bicycle; they all spoke to Claude's companion as if they knew him well.
"What are these blue flowers that grow about everywhere?" Claude asked suddenly, pointing to a clump with
his foot.
"Cornflowers," said the other. "The Germans call them Kaiser-blumen."
They were approaching the village, which lay on the edge of a wood,--a wood so large one could not see the
end of it; it met the horizon with a ridge of pines. The village was but a single street. On either side ran
clay-coloured walls, with painted wooden doors here and there, and green shutters. Claude's guide opened one
of these gates, and they walked into a little sanded garden; the house was built round it on three sides. Under a
cherry tree sat a woman in a black dress, sewing, a work table beside her.
She was fifty, perhaps, but though her hair was grey she had a look of youthfulness; thin cheeks, delicately
flushed with pink, and quiet, smiling, intelligent eyes. Claude thought she looked like a New England
woman,--like the photographs of his mother's cousins and schoolmates. Lieutenant Gerhardt introduced him to
Madame Joubert. He was quite disheartened by the colloquy that followed. Clearly his new fellow officer
spoke Madame Joubert's perplexing language as readily as she herself did, and he felt irritated and grudging
as he listened. He had been hoping that, wherever he stayed, he could learn to talk to the people a little; but
with this accomplished young man about, he would never have the courage to try. He could see that Mme.
Joubert liked Gerhardt, liked him very much; and all this, for some reason, discouraged him.
One of Ours 139
Gerhardt turned to Claude, speaking in a way which included Madame Joubert in the conversation, though she
could not understand it: "Madame Joubert will let you come, although she has done her part and really doesn't
have to take any one else in. But you will be so well off here that I'm glad she consents. You will have to
share my room, but there are two beds. She will show you."
Gerhardt went out of the gate and left him alone with his hostess. Her mind seemed to read his thoughts.
When he uttered a word, or any sound that resembled one, she quickly and smoothly made a sentence of it, as
if she were quite accustomed to talking in this way and expected only monosyllables from strangers. She was
kind, even a little playful with him; but he felt it was all good manners, and that underneath she was not
thinking of him at all. When he was alone in the tile-floored sleeping room upstairs, unrolling his blankets and
arranging his shaving things, he looked out of the window and watched her where she sat sewing under the
cherry tree. She had a very sad face, he thought; it wasn't grief, nothing sharp and definite like sorrow. It was
an old, quiet, impersonal sadness,--sweet in its expression, like the sadness of music.
As he came out of the house to start back to the barracks, he bowed to her and tried to say, "Au revoir,
Madame. Jusq' au ce soir." He stopped near the kitchen door to look at a many-branched rose vine that ran all
over the wall, full of cream-coloured, pink-tipped roses, just a shade stronger in colour than the clay wall
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